10/31/23
Today is Peter Jackson’s birthday. Mr. Jackson is the New Zealand film director, screenwriter, and film producer of such movies as the Lord of the Rings trilogy (2001–2003) and The Hobbit trilogy (2012–2014), both of which were adapted from J. R. R. Tolkien novels. I also say his name is my house at least once a day.
“Hey, Pete Jackson,” I say as I rub our dog Pete’s head.
Pete’s given name is actually Peter Parker (like the Spiderman character), but I’ve always preferred Peter Jackson, after the movie director. It’s amazing how many things Mr. Jackson and I have in common.
For example, we’re both dog lovers, our favorite childhood movie was King Kong, we’re both fans of director George Romero, and we love the work of Ray Harryhausen, the best stop-motion animation artist in the movie business. Mr. Jackson also has a net worth of $1.5B (third behind George Lucas and Steven Spielberg).
Whoa. Sadly that is where similarities between myself and Mr. Jackson end. But money is a dirty thing, so why dwell on it? Back to our similarities.
What I’ve always loved about Peter Jackson’s work is his keen eye for detail. He’s known for his insistence on shooting a scene from as many angles as possible, giving him more options during editing, as well as spending days shooting a single scene. Been there, done that.
I don’t mean to brag, but I too dabbled in moviemaking in my twenties. I doubt you’ve seen any of my work, but my films were all the rage in my tight circle of friends. (Hey, guys, can you give me back my VHS tapes? They might be worth something.)
I remember spending hours setting up a shot. If Hollywood special-effects artists could do stop-motion animation, why couldn’t I? For my subject I used one of my daughter’s toys, a flexible California Raisin figure. Does anyone remember these figures? They were a fictional rhythm and blue animated musical group made famous in a 1986 Sun-Maid raisin commercial.
In half-second intervals, I walked that California Raisin from the top of the stairs to the bottom, moving his arms and legs in a choreographed dance as he descended. Then I added my soundtrack, “I Heard It Through the Grapevine.” (Do you know how hard that is to do with a boombox and a VHS camcorder?)
Like I said, it was a big hit among the people I showed it too. Now if only I could get my hands on that tape. Does anyone know if there’s a black market for stop-motion animation videos? If there is, people, keep an eye out for one featuring a California Raisin dancing down a slightly frayed, brown carpeted staircase. You might hear my daughter crying in the background that daddy took her toy.
#Ibetyou’rewonderinghowIknew